THE INSTITUTE OF CONTEMPORARY ART/BOSTON
Organized by Senior Curator Jenelle Porter

A painter known for her vibrant, insistent, enigmatic paintings and works on paper, Charline von Heyl demonstrates that abstraction is intensely relevant in contemporary art. Von Heyl’s paintings are not abstractions of real things in the world; rather, her work begins and ends with purely abstract forms. With their intentional confusion of foreground and background, their dynamic energy and their contradictions and reversals, these paintings require (and desire) careful looking. Nonetheless they refuse to yield to the impulse to name, identify, and define. Powerfully imbued with emotion, von Heyl has called her work “melodramatic abstraction.”

In addition to her large paintings, the exhibition will present von Heyl’s collage-based works on paper. Largely black and white, they combine woodcut, silkscreen, and lithography, and are defined by a wild overflow of energy. They are sometimes more conventionally legible than the paintings, their source images—whether Magritte drawings, found photographs, or comic books—less transformed. They reveal an artist deeply engaged in altering and manipulating forms until they become something utterly new. The unusually wide heterogeneity of her work has been seen by some as a political gesture aimed at an art world that values and rewards signature products, but it may just as well be the result of an artistic sensibility that values questions over answers. As von Heyl says, “It is about the feeling that a painting, or any work of art, can give—when you can’t stop looking because there is something that you want to find out, that you want to understand…. Good paintings have this tantalizing quality. And once you turn around, you absolutely cannot recapture them. They leave a hole in the mind, a longing.”

 

Learn more! See more! Get up close and personal with three paintings by Charline von Heyl.

 

Bookmark and Share

 



Charline von Heyl is organized by the Institute of Contemporary Art, University of Pennsylvania, guest curated by Jenelle Porter, Senior Curator, ICA/Boston.

The ICA Philadelphia acknowledges The Andy Warhol Foundation for the Visual Arts for generous exhibition support. We are also grateful for the support of Hilarie & Mitchell Morgan and Mari & Peter Shaw. ICA acknowledges the generous sponsorship of Barbara B. & Theodore R. Aronson for the exhibition catalogue. We are grateful for support by endowment gifts from ICA board members: the Nancy E. & Leonard M. Amoroso Exhibition Endowment Fund; the Dorothy H. & Martin N. Bandier Endowment Fund; the Reinsberg Exhibition Fund; the Josephine M. & Christopher C. Schlank Fund; the B.Z. & Michael H. Schwartz Fund; and the Bryan & Meredith Verona Fund. Additional funding has been provided by The Horace W. Goldsmith Foundation; The Dietrich Foundation, Inc.; the Overseers Board for the ICA Philadelphia; friends and members of the ICA Philadelphia; and the University of Pennsylvania. General operating support provided, in part, by the Philadelphia Cultural Fund. ICA Philadelphia receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. We are grateful to Friedrich Petzel and the Friedrich Petzel Gallery for their in-kind support.

Sponsored, in part, by Marlene and David Persky.

 

 

Translate this site: Español, Français, Deutsch, Nederlands, Italiano,       ,           ,             
Automatic translations are provided by a third party and may contain inaccuracies.