The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.