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September 24, 2010
Friday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

September 24, 2010
Friday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

Play Date: Getting Out of Trouble

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

September 25, 2010
Saturday , 10:00 AM to 04:00 PM

Tickets: Museum admission is free for 2 adults per family with children 12 and under.

Take a look at Francesca DiMattio's dizzying painting, then create your own perspective-defying assemblages using paint and mixed materials.

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September 25, 2010
Saturday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

September 25, 2010
Saturday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

September 26, 2010
Sunday , 02:00 PM

Tickets: $25 nonmembers; $22 members and students

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

September 26, 2010
Sunday , 02:00 PM

Tickets: $25 nonmembers; $22 members and students

Caitlin Corbett Dance Company, Daniel McCusker Dance Projects, Kelley Donovan & Dancers

The Shipment challenges audiences to confront their own preconceived notions of race. Ranging from minstrel-like song and dance to stand-up comedy in the spirit of Richard Pryor to a short, comedic play, this sharp and irreverent piece of theater skewers African-American stereotypes. Recommended for mature audiences.

October 01, 2010
Friday , 07:30 PM

Tickets: $30 nonmembers; $27 members

Three of Boston’s leading dance companies present world premiere works as well as signature repertory pieces. Choreographer Caitlin Corbett juxtaposes the sublime beauty of everyday movement with the innovation of contemporary dance. Daniel McCusker’s ravishingly pure dances combine rigorous, geometrical structure, edgy dynamics, and idiosyncratic gestures to demonstrate stories filled with intense emotion. Kelley Donovan & Dancers create dynamic movement rich in imagery that viscerally expresses transformation by exploring the gray area between the extremes of purely classical modern dance and theatrical narrative.

October 01, 2010
Friday , 07:30 PM

Tickets: $30 nonmembers; $27 members

Caitlin Corbett Dance Company, Daniel McCusker Dance Projects, Kelley Donovan & Dancers

Three of Boston’s leading dance companies present world premiere works as well as signature repertory pieces. Choreographer Caitlin Corbett juxtaposes the sublime beauty of everyday movement with the innovation of contemporary dance. Daniel McCusker’s ravishingly pure dances combine rigorous, geometrical structure, edgy dynamics, and idiosyncratic gestures to demonstrate stories filled with intense emotion. Kelley Donovan & Dancers create dynamic movement rich in imagery that viscerally expresses transformation by exploring the gray area between the extremes of purely classical modern dance and theatrical narrative.

October 02, 2010
Saturday , 02:00 PM

Tickets: Free with museum admission.

Think Global, Act Local

Co-hosted by Artadia and presented in conjunction with the 2010 James and Audrey Foster Prize, this panel discussion looks at how we can think globally, but act locally in today’s art climate. Art professionals with wide-ranging experience and knowledge of the national and international art scene will look at developing trends in contemporary practice and at the role of museums, non-profits, and other organizations in cultivating local art and artists. Artadia is a non-profit organization that grants cash awards and exhibition opportunities to select artists in five U.S. cities: Atlanta, Boston, Chicago, Houston, and the San Francisco Bay area.

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Caitlin Corbett Dance Company, Daniel McCusker Dance Projects, Kelley Donovan & Dancers

October 02, 2010
Saturday , 08:00 PM

Tickets: $30 nonmembers; $27 members

Three of Boston’s leading dance companies present world premiere works as well as signature repertory pieces. Choreographer Caitlin Corbett juxtaposes the sublime beauty of everyday movement with the innovation of contemporary dance. Daniel McCusker’s ravishingly pure dances combine rigorous, geometrical structure, edgy dynamics, and idiosyncratic gestures to demonstrate stories filled with intense emotion. Kelley Donovan & Dancers create dynamic movement rich in imagery that viscerally expresses transformation by exploring the gray area between the extremes of purely classical modern dance and theatrical narrative.

October 02, 2010
Saturday , 08:00 PM

Tickets: $30 nonmembers; $27 members

Caitlin Corbett Dance Company, Daniel McCusker Dance Projects, Kelley Donovan & Dancers

Three of Boston’s leading dance companies present world premiere works as well as signature repertory pieces. Choreographer Caitlin Corbett juxtaposes the sublime beauty of everyday movement with the innovation of contemporary dance. Daniel McCusker’s ravishingly pure dances combine rigorous, geometrical structure, edgy dynamics, and idiosyncratic gestures to demonstrate stories filled with intense emotion. Kelley Donovan & Dancers create dynamic movement rich in imagery that viscerally expresses transformation by exploring the gray area between the extremes of purely classical modern dance and theatrical narrative.

October 05, 2010
Tuesday , 10:00 AM

Tickets: $100 general admission; $80 members, students and seniors. Includes a 10% discount in the Water Café and ICA Store.

Art Now

This four-week course will highlight contemporary artists who address issues such as street culture, consumerism, and the handmade to give you a better understanding of the concerns of some of today’s artists. Discussions, multimedia presentations, and visits to our galleries will provide the foundation for this entertaining and informative course.

October 05, 2010
Tuesday , 10:00 AM

Tickets: $100 general admission; $80 members, students and seniors. Includes a 10% discount in the Water Café and ICA Store.

Art Now

This four-week course will highlight contemporary artists who address issues such as street culture, consumerism, and the handmade to give you a better understanding of the concerns of some of today’s artists. Discussions, multimedia presentations, and visits to our galleries will provide the foundation for this entertaining and informative course.

October 22, 2010
Friday , 07:30 PM

Tickets: $40 nonmembers; $36 members

A thrilling, seamless blend of hip-hop, ballet and modern dance, RUBBERBANDance Group defies gravity with humor and humanity, as well as power and grace. Choreographer Victor Quijada, who co-directs the Montreal- based company with Anne Plamondon, combines the freshness and spontaneity of street dance with the rigor of ballet and the inventiveness of contemporary dance.

October 22, 2010
Friday , 07:30 PM

Tickets: $40 nonmembers; $36 members

A thrilling, seamless blend of hip-hop, ballet and modern dance, RUBBERBANDance Group defies gravity with humor and humanity, as well as power and grace. Choreographer Victor Quijada, who co-directs the Montreal- based company with Anne Plamondon, combines the freshness and spontaneity of street dance with the rigor of ballet and the inventiveness of contemporary dance.

October 23, 2010
Saturday , 08:00 PM

Tickets: $40 nonmembers; $36 members

A thrilling, seamless blend of hip-hop, ballet and modern dance, RUBBERBANDance Group defies gravity with humor and humanity, as well as power and grace. Choreographer Victor Quijada, who co-directs the Montreal- based company with Anne Plamondon, combines the freshness and spontaneity of street dance with the rigor of ballet and the inventiveness of contemporary dance.

October 23, 2010
Saturday , 08:00 PM

Tickets: $40 nonmembers; $36 members

A thrilling, seamless blend of hip-hop, ballet and modern dance, RUBBERBANDance Group defies gravity with humor and humanity, as well as power and grace. Choreographer Victor Quijada, who co-directs the Montreal- based company with Anne Plamondon, combines the freshness and spontaneity of street dance with the rigor of ballet and the inventiveness of contemporary dance.

October 24, 2010
Sunday , 03:00 PM

Tickets: $40 nonmembers; $36 members

A thrilling, seamless blend of hip-hop, ballet and modern dance, RUBBERBANDance Group defies gravity with humor and humanity, as well as power and grace. Choreographer Victor Quijada, who co-directs the Montreal- based company with Anne Plamondon, combines the freshness and spontaneity of street dance with the rigor of ballet and the inventiveness of contemporary dance.

October 24, 2010
Sunday , 03:00 PM

Tickets: $40 nonmembers; $36 members

A thrilling, seamless blend of hip-hop, ballet and modern dance, RUBBERBANDance Group defies gravity with humor and humanity, as well as power and grace. Choreographer Victor Quijada, who co-directs the Montreal- based company with Anne Plamondon, combines the freshness and spontaneity of street dance with the rigor of ballet and the inventiveness of contemporary dance.

October 24, 2010
Sunday , 03:00 PM

Tickets: Free with museum admission. Tickets available first-come, first-served one hour before the program.

3x3@3: Daniela Rivera, Fred H.C. Liang & Stephen Tourlentes

2010 James and Audrey Foster Prize artists Daniela Rivera, Fred H.C. Liang and Stephen Tourlentes will present their work. Each talk will include a conversation with Associate Curator Randi Hopkins.

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Words and Images: Rebecca Meyers

October 28, 2010
Thursday , 07:00 PM

Tickets: $10 nonmembers; $8 members and students

2010 James and Audrey Foster Prize finalist Rebecca Meyers presents a selection of short work including the New England premiere of her newest film, blue mantle, which explores the local history of the Massachusetts coast, shipwrecks, and the role of the sea as aesthetic inspiration.

October 29, 2010
Friday , 07:00 PM

Tickets: 3-day festival pass for 2 people (includes dessert reception): $125; Opening night screening and dessert reception: $40 per person; Opening night screening only: $25 nonmembers; $20 ICA members and students.

The Armenian Film Festival of Boston: Opening Night

"Barking Island," an animated film, illustrates an episode from Constantinople in 1910, when the streets were overrun with stray dogs, and the government decided to massively deport the dogs to a deserted island away from the city. "The Army of Crime" is set during the German occupation of Paris, when Armenian poet Missak Manouchian led a band of youngsters and immigrants in a dramatic series of guerrilla attacks in a clandestine battle against the Nazi occupation. There will be a dessert reception following the screening.

October 30, 2010
Saturday , 10:00 AM to 04:00 PM

Tickets: Museum admission is free for 2 adults per family with children 12 and under.

Play Date: Contemporary Masterpieces

Explore the ICA collection with family programs’ gallery staff, then record your family’s thoughts and ideas for others to hear. Step on stage with Mass Movement artists and create “masterpiece” performances (related to our collection!) or construct your own contemporary sculptures in the Bank of America Art Lab. Play Dates are made possible by the Bank of America Charitable Foundation.

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Play Date: Contemporary Masterpieces

October 30, 2010
Saturday , 10:00 AM to 04:00 PM

Tickets: Museum admission is free for 2 adults per family with children 12 and under.

Explore the ICA collection with family programs’ gallery staff, then record your family’s thoughts and ideas for others to hear. Step on stage with Mass Movement artists and create “masterpiece” performances (related to our collection!) or construct your own contemporary sculptures in the Bank of America Art Lab. Play Dates are made possible by the Bank of America Charitable Foundation.

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The Armenian Film Festival of Boston: From Ararat to Zion & The Fifth Column

October 30, 2010
Saturday , 04:00 PM

Tickets: $15 nonmembers; $12 members and students

Following the paths taken by Armenian Pilgrims over the last 2000 years, the documentary "From Ararat to Zion" is a tribute to those who have contributed to the preservation of spiritual traditions and a Christian legacy in the Holy Land. Weaving together allegorical narratives, "The Fifth Column" chronicles the desperation and mourning in the economically and culturally marginalized Armenian quarter of Beirut.

October 31, 2010
Sunday , 02:00 PM

Tickets: $15 nonmembers; $12 members and students

The Armenian Film Festival of Boston: Heart of Two Nations & Modern Love

"Heart of Two Nations" is based on the director’s conversations with journalist Hrant Dink, who talks freely of his weekly paper Agos, the Armenian genocide, his attempts to reconcile Armenians and Turks, and even his own death. "Modern Love" is the story of dreams, encounters, break-ups, and reconciliations—in short, the kind of wonderful love story that you only find in the movies.

November 05, 2010
Friday , 08:00 PM

Tickets: $20 nonmembers; $18 members and students

New York-based choreographer Trajal Harrell has been at the center of a recent reemergence of voguing. In a compelling new solo work, he explores its surprising connections to the postmodern dance of 1960s New York. For Harrell, they come together on the runway, where he embodies 20 different “looks” or personas, from “West Coast Preppy School Boy” to “Serving Superhero” (complete with cape).

November 05, 2010
Friday , 08:00 PM

Tickets: $20 nonmembers; $18 members and students

New York-based choreographer Trajal Harrell has been at the center of a recent reemergence of voguing. In a compelling new solo work, he explores its surprising connections to the postmodern dance of 1960s New York. For Harrell, they come together on the runway, where he embodies 20 different “looks” or personas, from “West Coast Preppy School Boy” to “Serving Superhero” (complete with cape).

November 06, 2010
Saturday , 08:00 PM

Tickets: $20 nonmembers; $18 members and students

New York-based choreographer Trajal Harrell has been at the center of a recent reemergence of voguing. In a compelling new solo work, he explores its surprising connections to the postmodern dance of 1960s New York. For Harrell, they come together on the runway, where he embodies 20 different “looks” or personas, from “West Coast Preppy School Boy” to “Serving Superhero” (complete with cape).

November 06, 2010
Saturday , 08:00 PM

Tickets: $20 nonmembers; $18 members and students

New York-based choreographer Trajal Harrell has been at the center of a recent reemergence of voguing. In a compelling new solo work, he explores its surprising connections to the postmodern dance of 1960s New York. For Harrell, they come together on the runway, where he embodies 20 different “looks” or personas, from “West Coast Preppy School Boy” to “Serving Superhero” (complete with cape).

November 07, 2010
Sunday , 03:00 PM

Tickets: Free with museum admission. Tickets available first-come, first-served one hour before the program.

3x3@3: Robert de Saint Phalle, Amie Siegel & Matthew Rich

2010 James and Audrey Foster Prize artists Robert de Saint Phalle, Amie Siegel and Matthew Rich will present their work. Each talk will include a conversation with Associate Curator Randi Hopkins.

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Words and Images: Amie Siegel

November 11, 2010
Thursday , 07:00 PM

Tickets: $10 nonmembers; $8 members and students

The latest feature by 2010 James and Audrey Foster Prize finalist Amie Siegel is a multilayered and disarmingly beautiful essay on the German Democratic Republic and its dissolution, which left many of its former citizens adrift in their newfound freedom. Featured at the 2008 Whitney Biennial, the film weaves together mundane Stasi surveillance footage, interviews with psychoanalysts, and lolling shots of derelict state radio stations as it meditates on history, memory, and the shared technologies of state control and art.

November 13, 2010
Saturday , 05:00 PM

Tickets: $12 nonmembers; $10 members and students

Women Without Men

Shirin Neshat’s feature-film debut offers an exquisitely crafted view of Iran in 1953, when a British- and American-backed coup removed the democratically-elected government. Adapted from the magical-realist novel by Iranian author Shahrnush Parsipur, the film weaves together the stories of five women whose experiences are shaped by their faith and the social structures in place.

November 14, 2010
Sunday , 01:00 PM

Tickets: $20 nonmembers; $18 members and students

Women Without Men: Screening and Artist Talk

Shirin Neshat will give an artist talk following the screening of her first feature-film. Women Without Men offers an exquisitely crafted view of Iran in 1953, when a British- and American-backed coup removed the democratically-elected government. Adapted from the magical-realist novel by Iranian author Shahrnush Parsipur, the film weaves together the stories of five women whose experiences are shaped by their faith and the social structures in place.

November 18, 2010
Thursday , 06:30 PM

Tickets: $20 general admission; $16 members and students

Mark Bradford, Hilton Als & Helen Molesworth

Get to know artist Mark Bradford in a lively conversation with New Yorker writer Hilton Als and the ICA Chief Curator. Mark Bradford, the subject of a major exhibition at the ICA this fall, makes multilayered works "woven through with strands of information that lead to tangles of race, gender, sexuality and class” (New York Times). A contributor of theater, visual art, and literary reviews for The New Yorker, Hilton Als was also a staff writer for Village Voice and editor-at-large for Vibe magazine.

November 19, 2010
Friday , 12:00 AM
to
March 13, 2011 Sunday , 11:59 PM

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November 21, 2010
Sunday , 03:00 PM

Tickets: Free with museum admission. Tickets available first-come, first-served one hour before the program.

3x3@3: Rebcecca Myers, Evelyn Rydz & Eirik Johnson

2010 James and Audrey Foster Prize artists Rebcecca Myers, Evelyn Rydz and Eirik Johnson will present their work. Each talk will include a conversation with Associate Curator Randi Hopkins.

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December 02, 2010
Thursday , 07:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 02, 2010
Thursday , 09:00 PM

Tickets: $10 nonmembers; $8 members and students

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

December 05, 2010
Sunday , 01:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 05, 2010
Sunday , 03:00 PM

Tickets: $10 nonmembers; $8 members and students

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

December 09, 2010
Thursday , 07:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 09, 2010
Thursday , 09:00 PM

Tickets: $10 nonmembers; $8 members and students

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

December 12, 2010
Sunday , 01:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 12, 2010
Sunday , 03:00 PM

Tickets: $10 nonmembers; $8 members and students

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

December 16, 2010
Thursday , 07:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 16, 2010
Thursday , 09:00 PM

Tickets: $10 nonmembers; $8 members and students

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

December 19, 2010
Sunday , 01:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 19, 2010
Sunday , 03:00 PM

Tickets: $10 nonmembers; $8 members and students

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

December 30, 2010
Thursday , 07:00 PM

Tickets: $10 nonmembers; $8 members and students

Can a sales tool be considered a work of art? It can if it’s one of the exceptional, innovative, and entertaining commercials honored by the Association of Independent Commercial Producers (AICP). Each year’s selected commercials become part of MoMA’s Film Archives. Join us for an evening that’s much more than an awards show—it’s a celebration of the craft of making these small films of persuasion.

December 30, 2010
Thursday , 09:00 PM

Tickets: $10 nonmembers; $8 members and students

Bill T. Jones/Arnie Zane Dance Company: Body Against Body

Boston is one of just 10 cities in the U.S. where you can see this annual showcase, now in its 32nd year, featuring winners of the British Television Advertising Awards. Described as “bite-size films” or “minute masterpieces,” (New York Times) these outstanding commercials in a range of categories offer a glimpse into the originality, wit, and creativity of British advertising.

February 04, 2011
Friday , 07:30 PM

Tickets: $45 nonmembers; $40 members and students

Body Against Body returns to Jones's roots with a repertory program that revives the duets and solos that launched Jones and the late arnie Zane, his partner and collaborator of 17 years. Some of the most significant examples of postmodern performance, these athletic pieces helped redefine the duet form and will now be reconsidered for the company’s current dancers.

February 04, 2011
Friday , 07:30 PM

Tickets: $45 nonmembers; $40 members and students

Bill T. Jones/Arnie Zane Dance Company: Body Against Body

Body Against Body returns to Jones's roots with a repertory program that revives the duets and solos that launched Jones and the late arnie Zane, his partner and collaborator of 17 years. Some of the most significant examples of postmodern performance, these athletic pieces helped redefine the duet form and will now be reconsidered for the company’s current dancers.

February 05, 2011
Saturday , 07:30 PM

Tickets: $45 nonmembers; $40 members and students

Bill T. Jones/Arnie Zane Dance Company: Body Against Body

Body Against Body returns to Jones's roots with a repertory program that revives the duets and solos that launched Jones and the late arnie Zane, his partner and collaborator of 17 years. Some of the most significant examples of postmodern performance, these athletic pieces helped redefine the duet form and will now be reconsidered for the company’s current dancers.

February 05, 2011
Saturday , 07:30 PM

Tickets: $45 nonmembers; $40 members and students

Bill T. Jones/Arnie Zane Dance Company: Body Against Body

Body Against Body returns to Jones's roots with a repertory program that revives the duets and solos that launched Jones and the late arnie Zane, his partner and collaborator of 17 years. Some of the most significant examples of postmodern performance, these athletic pieces helped redefine the duet form and will now be reconsidered for the company’s current dancers.

February 06, 2011
Sunday , 02:00 PM

Tickets: $45 nonmembers; $40 members and students

Bill T. Jones/Arnie Zane Dance Company: Body Against Body

Body Against Body returns to Jones's roots with a repertory program that revives the duets and solos that launched Jones and the late arnie Zane, his partner and collaborator of 17 years. Some of the most significant examples of postmodern performance, these athletic pieces helped redefine the duet form and will now be reconsidered for the company’s current dancers.

February 06, 2011
Sunday , 02:00 PM

Tickets: $45 nonmembers; $40 members and students

Bill T. Jones/Arnie Zane Dance Company: Body Against Body

Body Against Body returns to Jones's roots with a repertory program that revives the duets and solos that launched Jones and the late arnie Zane, his partner and collaborator of 17 years. Some of the most significant examples of postmodern performance, these athletic pieces helped redefine the duet form and will now be reconsidered for the company’s current dancers.

April 01, 2011
Friday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

April 01, 2011
Friday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

April 02, 2011
Saturday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

April 02, 2011
Saturday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

April 03, 2011
Sunday , 02:00 PM

Tickets: $25 nonmembers; $22 members and students

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

April 03, 2011
Sunday , 02:00 PM

Tickets: $25 nonmembers; $22 members and students

NTUSA’s Chautauqua! brings this tradition of the traveling lecture circuit into the 21st century, straddling “high” and “low” culture as it combines informative lectures with Broadway-style song-and-dance numbers, joke telling, and feats of strength. The program is revamped for each new venue, with lectures that draw on the history of that place.

May 13, 2011
Friday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

May 13, 2011
Friday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

May 14, 2011
Saturday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

May 14, 2011
Saturday , 07:30 PM

Tickets: $25 nonmembers; $22 members and students

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

May 15, 2011
Sunday , 02:00 PM

Tickets: $25 nonmembers; $22 members and students

This new work of theater, based on Samuel R. Delany’s epic science fiction novel Dhalgren, is part two of Simulated Cities/Simulated Systems, Scheib’s trilogy of multimedia performance works. Bellona, a once illustrious city, has been decimated by a mysterious cataclysmic event, leaving it all but forgotten. A parable of the dangers facing the modern American city, Bellona, Destroyer of Cities explores the shaping of space to express complex issues of race, gender, and sexuality.

May 15, 2011
Sunday , 02:00 PM

Tickets: $25 nonmembers; $22 members and students