
Installation view, Wordplay, the Institute of Contemporary Art/Boston, 2024. Photo by Mel Taing.
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Installation view, Wordplay, the Institute of Contemporary Art/Boston, 2024. Photo by Mel Taing.
Installation view, Wordplay, the Institute of Contemporary Art/Boston, 2024. Photo by Mel Taing.
Installation view, Wordplay, the Institute of Contemporary Art/Boston, 2024. Photo by Mel Taing.
Joe Wardwell, If You Got the Money Honey, 2021. Acrylic on canvas, 54 × 72 inches (137.2 × 182.9 cm). Gift of Mathieu O. Gaulin ©️ Joe Wardwell
Shepard Fairey, Afrocentric (Power & Equality), 2007. Screenprint, 24 x 18 inches (61 x 45.7 cm). Acquired through the generosity of Beth and Anthony Terrana, Sandra and Gerald S. Fineberg, Fotene Demoulas, and the artist. Courtesy the artist and Obey Giant Art. © Shepard Fairey
Zanele Muholi, Collen Mfazwe, August House, Johannesburg, 2012, from the series Faces and Phases (2006–ongoing). Gelatin silver print, 34 × 24 inches (86.4 × 61 cm). Acquired through the generosity of the General Acquisition Fund and the Acquisitions Circle. Courtesy of the artist; Yancey Richardson, New York; and Stevenson, Cape Town and Johannesburg. © Zanele Muholi
Highlighting the rich interplay between imagery and text and the related practices of looking and reading, Wordplay draws primarily from the ICA’s permanent collection to showcase how contemporary artists have played with words to animate and expand their art practices. Text has been part of visual expression for centuries, but “text art” as a genre began to proliferate with the emergence of conceptual art in the 1960s. Artists in the exhibition use text to probe philosophical questions, express and subvert political messages, challenge notions of identity, and connect their artwork with multiple references, writers, and cultural icons. This exhibition will feature many recently acquired works that have never been on view by artists Kenturah Davis, Taylor Davis, Joe Wardwell, and Rivane Neuenschwander, alongside work by Shepard Fairey, Jenny Holzer, Glenn Ligon, and others who have pioneered the creative engagement with language.
Wordplay is organized by Ruth Erickson, Barbara Lee Chief Curator and Director of Curatorial Affairs, and Erika Umali, Curator of Collections.
This exhibition is funded, in part, with support from Leadership in Arts Museums, an initiative to create more racial equity in art museum leadership, supported by the Ford Foundation, Mellon Foundation, Pilot House Philanthropy and Alice L. Walton Foundation.
Additional support is generously provided by the Kristen and Kent Lucken Fund for Photography.