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Welcome back

Advance tickets are required. See new safety protocols and visitor guidelines and what you need to know before you arrive. Get tickets now
 

Please note

Select galleries are currently closed for the installation of i'm yours: Encounters with Art in Our Times, opening Nov 18.

Video + Audio

Explore videos and audio recordings including exhibition previews, artist interviews, studio visits, and talks between artists and curators.

  • Featured
  • Virtual Programming
  • Artist Interviews
  • Exhibitions
  • Performance + Film
  • ICA Teens
  • About the ICA
  • Virtual Women’s Luncheon
  • Behind the Scenes with Sterling Ruby
  • Studio Visit: Tschabalala Self
  • Tschabalala Self on Lite
  • The Artist's Voice: Rakim
  • When Home Won't Let You Stay: Migration through Contemporary Art
  • The Artist's Voice: 2019 James and Audrey Foster Prize
  • Studio Visit: Josephine Halvorson
  • Studio Visit: Rashin Fahandej
  • Studio Visit: Lavaughan Jenkins
  • Studio Visit: Helga Roht Poznanski
  • John Akomfrah on Creating Purple
  • Huma Bhabha's Monumental Bronze
  • The Artist's Voice: William Forsythe
  • Nina Chanel Abney's "Colorfully Seductive, Deceptively Simple" Art Wall
  • William Forsythe's "Nowhere and Everywhere at the Same Time"
  • William Forsythe's "The Fact of Matter"
  • William Forsythe's "A Volume"
  • 360 Tour: William Forsythe's Nowhere and Everywhere at the Same Time
  • 360 Tour: William Forsythe's A Volume
  • 360 Tour: William Forsythe's The Fact of Matter
  • The Artist's Voice: Lynda Benglis
  • The Artist's Voice: Dindga McCannon, Beverly Smith, and Barbara Smith
  • Jason Moran
  • Diana Thater at the ICA Watershed
  • The Artist's Voice: Abbott Miller
  • We Wanted a Revolution: Black Radical Women 1965–85
  • Advice for Young Artists
  • When did I know I was an artist? Danielle Legros Georges for the ICA/Boston
  • When did I know I was an artist? Faye Driscoll for the ICA/Boston
  • When did I know I was an artist? Gabriel Kuri for the ICA/Boston
  • When did I know I was an artist? Matthew Ritchie for the ICA/Boston
  • When did I know I was an artist? Sandrine Schaefer for the ICA/Boston
  • When did I know I was an artist? Taylor Davis for the ICA/Boston
  • The ICA Watershed: From Condemned to Contemporary Art Space
  • Museums Are for Everyone
  • Okwui Okpokwasili on Poor People's TV Room
  • William Forsythe in Boston
  • Art in the Age of the Internet, 1989 to Today
  • The Artist's Voice: Steve McQueen
  • The Artist's Voice: Mark Dion and Andrea Barrett
  • Mark Dion: The Classical Mind
  • New Work for Goldberg Variations: Pam Tanowitz and Simone Dinnerstein

  • Curator's Perspective: Eva Respini with Danielle Legros Georges

  • ICA Forum: Representation and Responsibility in Creative Spaces
  • We the People: Nari Ward + ICA Teens
  • The Artist's Voice: Carol Bove
  • Studio Visit: Foster Prize Artist Lucy Kim
  • Studio Visit: Foster Prize Artist Sonia Almeida
  • Nari Ward – A Segue into History

  • Object Project Podcast

  • Celebrating 10 Years on the Waterfront
  • The Artist's Voice: Kara Walker
  • Eva Hesse's Unforgettable Legacy
  • Powerful Words at the ICA/Boston
  • Liz Deschenes
  • Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian: The Birthday Party | ICA/Boston
  • Dancer Silas Riener on Working With Merce Cunningham
  • Life at Black Mountain College: The Work Program
  • Life at Black Mountain College: Learning by Doing
  • A Poem for Black Mountain College
  • Leap Before You Look: Black Mountain College 1933–1957
  • The Making of a Monumental Mural at the ICA/Boston
  • ICA First Fridays Time Lapse
  • Contemporary Art 101: Wedging
  • Contemporary Art 101: Coiling
  • In the Studio: Kay Sekimachi
  • Artist at Work: Sheila Pepe
  • In the Studio: Josh Faught
  • Studio Visit: Amy Sillman

‍

Plan Your Vote

Now more than ever

Your support of the ICA and the communities and artists we serve is deeply appreciated in this time of uncertainty.
If you are able, please consider becoming a member or making a one-time gift to the ICA Fund.

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