Steve McQueen, Ashes, 2002–15. Two-channel video transferred from 8mm and 16mm film (color, sound; 20:31 minutes), two-sided screen, and posters. Gift of Tristin and Martin Mannion. Courtesy the artist, Marian Goodman Gallery, New York/Paris, and Thomas Dane Gallery, London. © Steve McQueen. All rights reserved.
A Venice Biennale standout by Academy Award–winning artist Steve McQueen makes its U.S. debut.
The ICA/Boston is pleased to present the U.S. debut of Ashes (2002–2015), a video installation by the artist and filmmaker Steve McQueen (b. London, UK, 1969). A standout from the 56th Venice Biennale in 2015, Ashes presents footage on two sides of a freestanding screen. One side, originally shot on soft, grainy Super 8 film, shows a young, carefree fisherman named Ashes balancing playfully on a pitching boat against a horizon of blue sky and water. The other side shows a second projection, shot in 16mm film, that chronicles Ashes’s unexpected fate. Never seen together, yet linked by a shared soundtrack, the videos conjure an easy vitality and a vivid description of place against the darker forces of society and fate.
With moving-image works that create exquisite, visceral relationships between bodies and the spaces that surround or confine them, McQueen’s practice has developed from iconic silent videos to poignantly sound-driven works over the past twenty years. McQueen is the recipient of the 1999 Turner Prize and an Academy Award for his 2013 feature film 12 Years a Slave, among many other honors. The ICA introduced McQueen to Boston audiences with a film presentation in 1995.