Nari Ward, Scandal Bag; History Feeds Mistrust, 2015 . Chromogenic color print, 20 x 20 inches (50.8 × 50.8 cm). Courtesy the artist; Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana; and Lehmann Maupin, New York and Hong Kong. Photographed by Steven Rose. Image courtesy the artist; Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana; and Lehmann Maupin, New York and Hong Kong. © Nari Ward
Spectacular, ambitiously scaled artworks created from unlikely materials
Nari Ward: Sun Splashed is the largest survey of the artist’s work to date. Emerging alongside a notable group of black artists in New York City in the 1990s, Nari Ward (b. 1963 in St. Andrew Parish, Jamaica) actively engages with local sites—their histories, communities, and economies—to create spectacular, ambitiously scaled artworks out of unlikely materials. He derives inspiration from his immediate environment, incorporating found objects gathered in and around urban neighborhoods and embracing varied cultural references. Working in sculpture, collage, photography, video, installation, and performance, Ward captures the makeshift qualities of everyday life and imbues his production with a visceral relationship to history and the real world. The exhibition includes artworks made from soda pop, shoelaces, shopping carts, and a fire escape, materials that speak to the artist’s distinctive experimentation. Nari Ward: Sun Splashed focuses on vital points of reference for Ward, including his native Jamaica, citizenship, and migration, as well as African-American history and culture, to explore the dynamics of power and politics in society.