Charline von Heyl presents a survey of work by this compelling and important artist. Known for her vibrant, insistent, enigmatic paintings and works on paper, von Heyl demonstrates that painting is still intensely relevant in contemporary art.

Von Heyl’s canvases are not abstractions of objects or figures; instead, she is interested in inventing a new image that has not yet been seen and that “stands for itself as a fact.” With their intentional confusion of foreground and background, their dynamic energy, and their contradictions and reversals, these paintings require (and desire) careful looking, but refuse to yield to the impulse to name, identify, or define. This is the artist’s first U.S. museum survey.