News

In the news

This fiber artist is enlisting ICA visitors for her ‘portrait of the community’ quilt

The Boston Globe

Reggie Wilson’s Fist and Heel Performance Group finds inspiration in Black Shakers

The Boston Globe

Jennifer Walshe on her strange, wonderful music projects: ‘I’m trying to say, this is what it’s like being alive’

The Boston Globe

What Tschabalala Self’s ‘Out of Body’ at the ICA Taught Me About My Own Body

The ARTery

At the ICA, rescuing an art star from the auction frenzy

The Boston Globe

Aquí y Allá: Juntos A La Mesa

Edible Boston

Tschabalala Self on Double Consciousness, Her Artistic Pantheon, and “Out of Body”

Artforum

Lavaughan Jenkins

Art New England

Ghosts in the Water: Carolina Caycedo’s River Portraits and Video Apparitions Tell Difficult Stories

Los Angeles Times

When Home Won’t Let You Stay: Artists Expose The Tribulations Of Migration In An Important New Exhibition

Forbes

‘I mix the paint with rainwater, mud and fish glue’: Vivian Suter on being back in the limelight after 30 years in rural Guatemala

The Art Newspaper

8 Inspiring Museum Shows to See Across the US Over the Holidays, From an Andy Warhol Extravaganza to a Belle Époque Bliss-Out

artnet

The Most Influential Artists of 2019

Artsy

At the ICA’s 2019 Foster Prize exhibition, an artist breaks out with ‘A Father’s Lullaby’

‘Trace of the Human’ Migration through Contemporary Art

Commonweal Magazine

Perfume Genius and Kate Wallich on Dogs, Dance, and Peanut Butter

Interview Magazine

Perfume Genius Becomes a Dancer and Brings His Slippery Universe to Life

Pitchfork

Perfume Genius Reflects on The Sun Still Burns Here, His Genre-Bending Live Music Dance Project

W Magazine

Perfume Genius’ latest project is a transcendent musical dance piece

i-D

Yayoi Kusama’s Radical Work Goes Far beyond Her Infinity Rooms

Artsy

Everything’s Coming Up Kusama, Including a Macy’s Balloon

New York Times

At the ICA, Artists Track the American Dream’s Nightmarish Turn

Boston Globe

Making Sense of Sterling Ruby’s Beautifully Grotesque Art

Artsy

At The ICA, An ‘Angel Exterminator’ Made From The U.S-Mexico Border Wall

WBUR The Artery

Colombian Artist Seeks Justice for the Natural World

New York Times

‘When Home Won’t Let You Stay’: Artwork Addressing Global Migration

The Guardian

Ten Powerful Immigrant Accounts from Suitcase Stories Presented in Conjunction with the ICA Exhibition When Home Won’t Let You Stay: Migration through Contemporary Art

WGBH

At The ICA, ‘When Home Won’t Let You Stay’ Explores The Migration Experience

WBUR The Artery

Dominican Multimedia Artist Firelei Báez Named ICA Watershed Artist for 2020

Boston Globe

Boston’s ICA Selects Firelei Báez for the Third Watershed Commission

Artforum

Artist Tschabalala Self Wants You to See Black Figures Take Up Space

Teen Vogue

At the ICA, Postmodern Classic ‘Fase’ Retains its Power

The Boston Globe

At the ICA, Walking through Tragedy to Infinity with Art Star Yayoi Kusama

The Boston Globe

Perfume Genius and Kate Wallich’s The Sun Still Burns Here

Walker Art Center

Yayoi Kusama’s ‘LOVE IS CALLING’ Will Bring an Infinity of Whimsical Polka-Dotted Tentacles to ICA

WBUR

This fall, Harvard and the ICA delve deep into the global migrant crisis

The Boston Globe

Sterling Ruby

Artforum

An Emerging Art Star in her Late 60s, Vivian Suter Brings Bright, Blissful Works to the ICA

Boston Globe

See Vivian Suter’s New Show at ICA Boston, Inspired by Her Home in the Guatemalan Rainforest

artnet

Artist Lavaughan Jenkins Is Doing What He Loves and People Are Loving it Too

WBUR

‘Less is a Bore’: ICA Boston takes Maximalism to the max

The Art Newspaper

Is Maximalism the Most Overlooked Art Movement Ever?

Garage Magazine

Camp Blood’s Unique Industrial Hip-Hop Fights Against Commercialism, Capitalism And Racism

WBUR The Artery

Boston’s Camp Blood are the industrial hip-hop voice of the future

Vanyaland

At the ICA, More Is More

Boston Globe

Tania Bruguera & Others Tackle Global Migration

Cuban Art News

The Little Farm That Could

edible BOSTON

The New Exhibition That Further Proves We’re in a Maximalist Moment

Architectural Digest

A New Exhibit Of ‘Maximalism’ Shows How Artists Trounced Modernism And Made Art Inclusive In The 70s

Forbes

‘Less Is A Bore’ At The ICA Offers Maximal Relief In A World Of Tasteful Art

WBUR The ARTery

Interactive drip art and handcrafted ice cream will pop up at the ICA this summer

Boston.com

An Artist on Paying Homage to Harlem, and Using Found Fabrics in Paintings

New York Times

Review: ‘Purple’ presents a breathtaking view of planet-threatening change

The Boston Globe

Arts This Week: John Akomfrah: Purple

WGBH

Here Are The Museum And Gallery Exhibitions To See This Summer

WBUR The Artery

Virgil Abloh Has Designs on High Culture

New York Times

At The ICA Watershed, John Akomfrah’s ‘Purple’ Mourns A Planet Lost

WBUR The Artery

The Darkly Comic Art of Sanya Kantarovsky

Vogue

New Artist Gets Set for the ICA Watershed’s 2019 Season

East Boston Times

A Painter Who Left the Art World in Order to Actually Make Art

T Magazine

Review: Huma Bhabha

4Columns

Rashin Fahandej Wants To Help All Connect With Home

In ‘They Live,’ Huma Bhabha Channels A Tragi-Comic View Of The Grotesque

WBUR The Artery

Review: Violence and verve, on view at the ICA

The Boston Globe

At The ICA, A Wikipedia ‘Edit-A-Thon’ Aims To Close The Gender Gap

WBUR The Artery

Tschabalala Self’s Avatars of Black Womanhood

Hyperallergic

Voids of Understanding: Opacity, Black Life, and Abstraction in What Remains

Walker Magazine

Choreographer Bill T. Jones Brings Exploration Of Trauma And Oral History To ICA

WBUR The ARTery

Setting Up In Empty Storefronts, Spaceus Wants To Keep Artists’ Workspaces Front And Center

WBUR The Artery

Bill T. Jones connects three disparate lives in his ‘Analogy’ trilogy

The Boston Globe

‘The 2019 Oscar Nominated Short Films’ Review: Heartbreak, Abbreviated

New York Times

Using the Language of Symbols, Nina Chanel Abney’s New Mural at the ICA Tackles Systemic Racism

WBUR

Here come the selfies: ICA acquires Yayoi Kusama Infinity Room

Boston Globe

ICA Boston Acquires Yayoi Kusama ‘Infinity Mirror Room’ Work

ARTnews

A Dazzling ‘Infinity Room’ Lands (Permanently) At The ICA

WBUR

Review: At the ICA, Jason Moran plays a different tune

The Boston Globe

Review: Jason Moran / ICA Boston

Flash Art

Best art museum shows of 2018

The Boston Globe

In Oddly Liberating ICA Show, a Choreography of the Mind

The Boston Globe

A New Exhibit At The ICA Asks You To Perform Physical Feats — And To Fail

WBUR The Artery

The force of Forsythe: Legendary choreographer is subject of ICA exhibition

Patriot Ledger

International Choreographer William Forsythe Opens Interactive Exhibition at the ICA

Harvard Crimson

William Forsythe at the ICA

WGBH Open Studio with Jared Bowen

Review: The Power of Memory Shines Through in Bill T. Jones’ Remembrance of Things Past and Present

Los Angeles Times

Critics’ Picks: William Forsythe

Artforum

The ICA’s Choreographic Objects Is So Damn Cool

Boston Magazine

Extreme Physicality: An Interview with Abby Zbikowski

thINKingDANCE.net

Extreme Physicality: An Interview with Abby Zbikowski

thINKingDANCE

Review: ‘Abandoned Playground,’ the Punishing Place Where Dance Meets Sport

The New York Times

Finding Jason Moran - Installation and Live Performance ICA/Boston

WGBH

Jason Moran Thrills with Musical and Visual Spectacle at ICA

Bay State Banner

Racism, Oppression, Eugenics, and Art that Runs the Gamut

The Boston Globe

Artist Diana Oh Is Holding Space For Queer, Trans People Of Color Through Her A.R.T. Residency

WBUR

The Visual Frequency of Black Life

The Paris Review

Review: The Body, Vibrating, Is ‘What Remains’

The New York Times

Bill T. Jones Is Making Room in Dance for More Than Dance

New York Times

Video: Trajal Harrell on Caen Amour

Trajal Harrell – The Dirty Dancer Voguing his Way into History

The Guardian

Trajal Harrell Interview: I Want People to Believe in Impossibilities

Go London

Climb, Swing, and Dance Your Way Through the ICA This Fall

Boston Magazine

A ‘Watershed’ Moment: Artist Diana Thater on the Challenges and Rewards of Inaugurating ICA Boston’s New Harbor Space

artnet news

The 9 Best DJ Mixes of June 2018

Pitchfork

At the ICA, throwing conceptual grenades

Boston Globe

Black Women Take the Spotlight in the ICA’s “We Wanted a Revolution”

Boston Magazine

Here’s a Look Inside the ICA’s New East Boston Location, the Watershed

Boston Magazine

A First Look Inside The New ICA Watershed In East Boston

WBUR The ARTery

In an East Boston Shipyard, a Watershed Idea for Art

New York Times

The ICA Has Arrived in Eastie. Here’s Your First Look Inside

Boston Globe

Kevin Beasley

4Columns

In Nairobi, an Art Scene in Transition

The New York Times

At the ICA, Kevin Beasley Alchemizes Dark Histories

The Boston Globe

A Watershed Event for the ICA

The Boston Globe

Milestones and Memorials: Jason Moran on his First Museum Exhibition

Walker Art Center

Wangechi Mutu: A Promise To Communicate, On View at the ICA, Boston

Big Red & Shiny

They ‘Come in Peace’ But They’ve Been Through Hell: Huma Bhabha Brings Her Battle-Scarred Figures to the Met Rooftop

Artnet

Lil Buck and Jon Boogz, Dancing to Improve the World

New York Times

Art in the Age of the Internet, 1989 to Today

The Brooklyn Rail

Conversations: “Art in the Age of the Internet, 1989 to Today” at ICA Boston

Mousse Magazine

The Messenger: How a Video by Arthur Jafa Became a Worldwide Sensation—and Described America to Itself

ArtNews

“Art in the Age of the Internet”: Curator Eva Respini

Sloan Science & Film

Deana Lawson’s Hyper-Staged Portraits of Black Love

The New Yorker

Frank Benson - Sculpting Meticulous Images

Itchy Silk

Q&A with Ryan McNamara

The Improper Bostonian

Picking apart the Internet: An exhibition that addresses the elephant in the room

The Washington Post

As Brilliant as the Sun

Frieze

‘Black People Figured Out How to Make Culture in Freefall’: Arthur Jafa on the Creative Power of Melancholy

Artnet

ICA’s ‘Art in the Age of the Internet’ exhibit overwhelms, impresses

The Tufts Daily

‘Art + Tech: A Citywide Collaboration’ casts a wide net over the Net

The Boston Globe

At the ICA, electronic artists examine how the Web has invaded our lives

The Patriot Ledger

Intimate Exposures: Nicholas Nixon at the ICA

Big Red & Shiny

Intimate Exposures: Nicholas Nixon at the ICA

Big Red & Shiny

‘Art in the Age of the Internet’ documents ever-changing, post-truth landscape

The Daily Free Press

The art of Nicholas Nixon might break your heart

The Washington Post

Robot-Human Relationships? Cellphone Sofas? A Look At The 14 ‘Art + Tech’ Exhibitions In The Boston Area

WBUR The ARTery

The ICA’s ‘Art in the Age of the Internet, 1989 to Today’ is a provocative IRL spectacle

Vanyaland

New at the ICA: Art in the Age of the Internet, 1989 to Today

The Boston Day Book

Art in the age of the internet: from democracy and dialogue to a new dystopia

The Art Newspaper

At the ICA, looking at ‘Art in the Age of the Internet’

The Boston Globe

The Internet Totally Changed What It Means to Make Art Today. A New Show Explains How

artnet

Creativity in the digital age: how has the internet affected the art world?

The Guardian

Art and the Internet Collide at the ICA’s New Exhibit

Boston Magazine

From Degas to digital art, 10 eye-opening shows

The Boston Globe

A multimedia artist attuned to the zeitgeist

The Boston Globe

Taking a leap with French hip-hop, fiery flamenco, and romantic ballet

The Boston Globe

MARK YOUR CALENDARS: Winter/Spring Preview 2018

Big Red & Shiny

Okwui Okpokwasili Explores Politics and the Body

The New Yorker

Review: Okwui Okpokwasili Gives Voice to the Ignored and Oppressed

New York Times

Facilitating Possession: Okwui Okpokwasili on Poor People’s TV Room

Walker Art Center

Phantom of the Oprah

Artforum

At the ICA, Hito Steyerl uses a video to unveil power

The Boston Globe

The Year in Visual Culture

Artsy

At the ICA, ‘The Brown Sisters’ and Much More from Nicholas Nixon

The Boston Globe

10 Female Performance Artists You Should Know, from Ana Mendieta to Carolee Schneemann

Artsy

The 20 Most Influential Artists of 2017

Artsy

Looking at Nicholas Nixon’s Forty-Third Portrait of the Brown Sisters

The New Yorker

The Frozen Gestures of Lynda Benglis

Hyperallergic

Boston Arts Groups Team Up for Sprawling Look at Art, Technology

The Boston Globe

Mika Rottenberg’s Seductive Videos Expose Capitalism’s Surreal Inner Workings

Artsy

Contemporary Meets Classical In ‘New Work For Goldberg Variations’ At ICA

WBUR The ARTery

This Remarkable Mark Dion Exhibit Will Change Your Perception of Science — And Art

Forbes

The Radical Paintings of Laura Owens

The New Yorker

Review: Choreographer Meets Bach, and It’s a Match

The New York Times

Catching the Ephemeral: Alessandro Sciarroni and his jugglers frame and freeze the fleeting

Medium

A season for art at New England museums

The Boston Globe

Who’s Afraid of ‘Goldberg Variations’? Not This Choreographer.

New York Times

Lars Jan’s ‘The Institute of Memory (TIMe)’ Is a Search for Identity

New York Times

Dion’s ICA Show Mourns Humans’ Impact on Nature

The Harvard Crimson

In Pam Tanowitz and Simone Dinnerstein’s New Work for Goldberg Variations, a Daunting Idea Works Just Right

INDYweek

Practically Perfect Premiere: New Work for Goldberg Variations, at Duke Performances

CVNC

Dance Review: In Pam Tanowitz and Simone Dinnerstein’s New Work for Goldberg Variations, a Daunting Idea Works Just Right

Indy Week

From These Gamelans, a ‘Golden Rain’ of Sound

The Boston Globe

Art That Revels in Exploration — and Registers Its Costs

The Boston Globe

Ravishing Reminders of What We All Stand to Lose

The Telegraph

John Akomfrah: ‘Progress can cause profound suffering’

The Guardian

Top 10 Fall Art Exhibitions

Observer

Parliament Square in London Is Closer to Having First Female Statue

The New York Times

You’re Being Watched: Trevor Paglen on How Machine-Made Images Are Policing Society & Changing Art History

Artspace

Must-See Visual Art Exhibits

The Improper Bostonian

Step Into These Fall Dance Performances

The Improper Bostonian

Zola Jesus on Artists From Different Disciplines Who Inspired Her New Album, ‘Okovi’

ARTnews Magazine

Dinosaurs, dioramas, and the strange world of natural history

Apollo Magazine

Science and Aesthetics: Mark Dion

Art21

Zola Jesus: Okovi

Pitchfork

Album Of The Week: Zola Jesus OkoviAlbum Of The Week: Zola Jesus Okovi

Stereogum

In depth, “Don’t be frightened of turning the page” by Alessandro Sciarroni

ABC Dance

Art for a Post-Surveillance Age

The New York Times Style Magazine

The Black American Women Who Made Their Own Art World

Hyperallergic

At the ICA, Dana Schutz Shakes Things Up

Boston Globe

Zola Jesus Turns Tragedy into a Torrential Sound on Her New Album

Pitchfork

Zola Jesus Turns Tragedy into a Torrential Sound on Her New Album

Pitchfork

A Place in the Sun

digboston

How A New York Producer Is Creating A Platform For Queer Caribbean Artists

The FADER

A Steve McQueen Video Ponders the Vulnerability of a Young Man’s Life

Hyperallergic

Dumpster Diving in Search of Redemption — and Finding It

Boston Globe

These Radical Black Women Changed the Art World

Aperture

The Overlooked, Radical History of Black Women in Art

Artsy

At Socrates Sculpture Park, Slyly Butting Expectations

The New York Times

A Quiet Kind of Boldness: Beth Gill’s Abstract Storytelling

Walker Art Center

ICA plan for East Boston lifts the whole city

The Boston Globe

The Fertile Mind of Sophie Calle

The New York Times Style Magazine

The Artist Nari Ward on the Goat as a Symbol of Democracy

The New Yorker

6 Black Radical Female Artists To Know Before You See “We Wanted A Revolution: Black Radical Women, 1965–85”

Artspace

A Whole Culture: The Institute of Contemporary Art, Boston’s 2017 Foster Prize

The Brooklyn Rail

Horror tales remind him of mom — in the best way

The Boston Globe

ICA to Expand to Eastie by 2018

Eastie Times

ICA Plans to Expand Across the Harbor and Into East Boston’s Industrial Shipyard

WBUR

Artist Merill Comeau weaves family and art

The Hour

The Institute of Contemporary Art Is Opening a Seasonal Space in Boston

New York Times

ICA Plans Major Expansion — Across the Harbor in East Boston

Boston Globe

At the ICA, two shows that embrace the body in many forms

The Boston Globe

Steve McQueen’s Ashes

Bomb Magazine

Remembering Octavia Butler: “This country views people like Butler and like Oscar as aliens and treats people like us like we’re from another planet”

Salon

The Joy (And Fear) Of Making ‘Kindred’ Into A Graphic Novel

NPR

Nari Ward Wins $100,000 Vilcek Prize for Immigrant Artists

ARTNEWS

Arthur Jafa’s Crucial Ode to Black America

The New Yorker

Spellbound by ‘The Man’ at the ICA

Boston Globe

Sonia Almeida

Art in America

The Merger of Academia and Art House: Harvard Filmmakers’ Messy World

New York Times

Lucy Kim

Artforum

Seeing Art Through Artists’ Eyes at Boston’s ICA

Boston Globe

Nari Ward on Reimagining the Immigrant Experience

Artsy

NYPL Art Book Series Event Dec. 14: The Artist’s Museum, with Carol Bove, Dan Byers, Anna Craycroft, Sara VanDerBeek

‘A Letter’ brings Bill T. Jones to town

The Boston Globe

Bill T. Jones’s ‘Letter’ is a powerful testament

The Boston Globe

Boston arts leaders react to election with anxiety, grim determination

The Boston Globe

10 Pioneering Textile Artists, from Sheila Hicks to Nick Cave

Artsy

The 20 Most Influential Young Curators in the United States

Artsy

Weyes Blood, Front Row Seat to Earth

Pitchfork

Big Dance Theater goes small for Boston performance

The Patriot Ledger

Q&A: Big Dance Theater’s Annie-B Parson

Boston Magazine

The Ticket: Dance picks

The Boston Globe

At the ICA, Nalini Malani Is a Marvel

Boston Globe

At the ICA, a powerful show from the collection

The Boston Globe

The ICA Debuts Its Largest Collection Presentation

Boston Magazine

Caroline Polachek Of Chairlift On Women In Music And Challenging The Status Quo

NYLON

The Enduring Power of Faith Ringgold’s Art

Artsy

Field of Vision: Liz Deschenes at the ICA

Big Red & Shiny

The Architect Who Became a Diamond

The New Yorker

The Architect Who Became a Diamond

The New Yorker

17 Blockbuster Summer Shows Worth Traveling For

artnet

Listen: Liz Deschenes, Eva Respini, and Lynne Tillman at NYPL

New York Public Library

The Transcendent Artistry of a Legendary Dancer, Four Decades In

New York Times Style Magazine

Review: Beth Gill’s ‘Catacomb,’ Dreamlike and Site-Specific

The New York Times

Review: ‘Eva Hesse’ Offers a Moving Portrait of an Artist’s Brief Life

The New York Times

Geoffrey Farmer’s Art at the ICA: Once You’ve Seen It, You Can’t Shake It

Boston Globe

Local Animator Karen Aqua Remembered In Retrospective At Harvard Film Archive

WBUR The Artery

Sadie Benning by Lia Gangitano

Bomb Magazine

Hervé Koubi At ICA: Sufi Music Meets Bach; Contemporary Dance Meets Hip-Hop

WBUR

Walid Raad

BOMB

In between truth and fiction: the art of Lebanon’s Walid Raad at MoMA New York

Art Radar

Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian

Artforum

Artful and Stunning Cabinets of Curiosities, Decoded

New York Times, T Magazine

In a timely new ICA show, Walid Raad artfully sells grand delusion

The Boston Globe

Artful and Stunning Cabinets of Curiosities, Decoded

The New York Times

The Weirdness and Joy of Black Mountain College

The Nation

Comics artist Ortega helps ICA visitors share their stories

The Boston Globe

Walid Raad’s Unreality Show Spins Middle Eastern History as Art

New York Times

Walid Raad

Artforum (subscription required)

Walid Raad

Artforum (subscription required)

Dave Ortega, graphic novel artist, absorbs books

The Boston Globe

Sartor Resartus: Diane Simpson at the ICA, Boston

Big Red & Shiny

Winter Arts preview: Dance picks

The Boston Globe

ICA receives substantial grants

Boston Globe

Oscar-Nominated Shorts, Mirroring a World of Pain and Fortitude

The New York Times

In a Performance, Walid Raad Playfully Probes His MoMA Survey

Hyperallergic

Walid Raad’s Spectral Archive, Part One: Historiography as Process

e-flux

e-flux Conversations: Walid Raad’s Spectral Archive, Part One: Historiography as Process

e-flux

Ryan McNamara, the Artist Who Dances About the Internet

The New Yorker

For Big Dance Theater, the After-Party Is at Intermission

The New York Times

Iranian Trio Courts Chaos in First US Museum Solo Show at ICA

The Boston Globe

Diane Simpson Show at ICA Is Superb

The Boston Globe

The Short Life and Long Legacy of Black Mountain College

The New York Times

Geoffrey Farmer Will Represent Canada at Venice Biennale in 2017

CanadianArt

Institute of Contemporary Art in Boston Gets Gift of Works by Women

The New York Times

Philanthropist Barbara Lee bestows $42m gift on ICA

The Boston Globe

The Best Dance of 2015

The New York Times

Face to Face: David Parker

Dance Teacher Magazine

Black Mountain College: Truth or Dare

Berkshire Fine Arts

Learn By Painting

The New Yorker

Looking Back at the Impact of Black Mountain College

Artsy

Dance Review: A Lost Merce Cunningham Dance Solo, Found

The New York Times

ICA’s ‘Black Mountain’ surveys whole of school’s legacy

The Boston Globe

ICA Explores How The Avant-Garde Thrived At Black Mountain College

WBUR

Artsplainer: Dana Schutz’s Paintings in New York and Montreal

Vogue

#TheLIST: Andrea Andersson’s Fall Museum Guide

Harper's Bazaar...

In Its Biggest Undertaking to Date, ICA Debuts ‘Black Mountain College’ Exhibition

Boston Magazine

Genius abounds in landmark ICA exhibit

The Boston Globe

Unreliable Informants: A Walid Raad Primer

Hyperallergic

Return to Black Mountain College

The Wall Street Journal

Black Mountain College examined, exalted at ICA

The Boston Globe

Italian Feminist Art Legend Carol Rama Dies at 97

Artnet

BIBLIOPHILES: Eva Respini, Institute of Contemporary Art’s chief curator

Boston Globe

Review: ‘Nufonia Must Fall’ Shares the Heart of Kid Koala’s Robot Tale

The New York Times

Fall Arts Preview: Art

The New York Times

10 Rules for Students, Teachers, and Life by John Cage and Sister Corita Kent

Brain Pickings

Exhibitions Where Moral Force Trumps Market Forces

The New York Times

10 Artists to Watch This September

Artspace

Taking digital photography to a new dimension

The Boston Globe

Making the Ordinary Anything But: Mona Hatoum on Her Unnerving Sculptures, in 2005

ArtNews

In Search of Vanished Blood: Nalini Malani’s Transformative Art

The Culture Trip

Characters and Characteristics of the Work

Mousse Magazine

FBI investigation of Black Mountain College revealed in newly released file

Carolina Public Press

Walid Raad: The Atlas Group Opens its Archives

Bidoun Projects

What Josef Albers Taught at Black Mountain College, and What Black Mountain College Taught Albers

Black Mountain Studies Journal

Marker Magic

The Improper Bostonian

Arlene Shechet — Restoring the Wonder of Fine Ceramics

The Arts Fuse

Boston artist Ethan Murrow creates new installation at The Institute of Contemporary Art/Boston

artdaily.org

Instagrams of the Art World: Everyone’s On Vacation Edition

Blouin Artinfo

In discussing Olympic bid’s demise, don’t forget arts and culture

The Boston Globe

Tonight at ICA, Boston: Paper Monument’s Dushko Petrovich Launches Adjuct Commuter Weekly

Artnet

My Instagram: Eva Respini, ICA curator

Boston Globe

John Cage’s 1960 Game Show Performance

Hyperallergic

‘Arlene Shechet: All at Once,’ by Jenelle Porter

The Boston Globe

Postcolonial Cinema in Oil on Canvas, After Canvas: Meleko Mokgosi at the ICA Boston

Art F City

Watch an Artist Draw a Monumental Mural at the ICA Using Only Sharpies

Boston Magazine

Arlene Shechet Has a First Museum Retrospective in Boston

The New York Times

Ethan Murrow’s new mural made with only Sharpies

Boston Globe

The Many Contradictions of Mona Hatoum

The New York Times

Material Matters

1stdibs

Highlights From the ICA Boston: The Foster Prize and Arlene Shechet

Art F City

At Boston’s ICA, sculptor Arlene Shechet challenges convention

The Providence Journal

14 Women Artists Who’ve Changed The Way We Think About Design

The Huffington Post

14 Women Artists Who’ve Changed The Way We Think About Design

The Huffington Post

ICA Boston Will Restage Long-Lost Merce Cunningham Dance

Artforum

Sculptor Arlene Shechet evokes inner life in new ICA exhibition

Boston Globe

Arts This Week: ‘Edith Can Shoot Things And Hit Them,’ Arlene Shechet At The ICA & ‘Jurassic World’

WGBH

Long-Lost Merce Cunningham Work Is Reconstructed in Boston

The New York Times

Geoffrey Farmer’s brave new world at the Vancouver Art Gallery

The Globe and Mail

As the Art World Swoons over Playful Ceramics, Arlene Shechet Hits Her Stride

Artsy

ICA Chief Curator Eva Respini Joins Protest Against UAE Travel Ban

Arlene Shechet: The Story Behind an Artwork, in the Artist’s Own Words

Modern Painters

Review: Ramin and Rokni Haerizadeh and Hesam Rahmanian

The New York Times

RAMIN HAERIZADEH, ROKNI HAERIZADEH, and HESAM RAHMANIAN I won’t wait for grey hairs and worldly cares to soften my views

The Brooklyn Rail

Paintings that Get (Kind of) Close to South Africa’s Colonial Aftermath

Hyperallergic

Surreal Sexuality

Aperture Magazine

Nufonia Must Fall review – Kid Koala’s tender robot romance comes alive

The Guardian

Why Feminism Still Matters — According To A Badass Artist

Refinery29

Impressions of a canary torsi’s “Court/Garden” at Danspace Project

The Dance Enthusiast

A Spectacle Not Meant for Just Watching

The New York Times

Steve McQueen review – like a punch in the gut

The Guardian

Choreographic Wizardry of Yanira Castro

The Brooklyn Rail

Ramin Haerizadeh, Rokni Haerizadeh & Hesam Rahmanian

ArtAsiaPacific

Beth Gill talks about her latest premiere, New Work for the Desert

TimeOut New York

Liz Deschenes: ‘Stereographs #1-4 (Rise/Fall)’

The New York Times

Shannon Ebner and Zoe Leonard

Bomb Magazine

Printed on the Space

DanceBeat

Diane Simpson

The New York Times

Nalini Malani

Art in America

NALINI MALANI In Search of Vanished Blood

The Brooklyn Rail

Too Much World: Is the Internet Dead?

e-flux

Jimmy DeSana

Art in America

French-Algerian artist Explores Identity and Repair

The New York Times

Interview with Sara VanDerBeek

Aperture

Find peace and quiet on business trips at these places

USA Today

‘Jack Lemmon’ is frivolous, irrational, and hard to ignore

The Boston Globe

Erin Shirreff

Art21

Trajal Harrell: The Next Martha Graham Has Arrived!

The Huffington Post

Varied lineup coming to the ICA

Boston Globe

Writing on the Wall. Graffiti Artists Os Gemeos Reimagine Urban Space

TIME Magazine

Exploring Infinity

BU Today

Film Review: Ai Weiwei, The Gentle Revolutionary

WGBHArts

Meleko Mokgosi’s Existentialism

Art in America

LIFE magazine cut outs from 1935 1985 by geoffrey farmer

Design Boom

Josiah McElheny’s ‘Some Pictures of the Infinite’ at the Institute for Contemporary Art in Boston

The Huffington Post

Josiah McElheny’s Expanding Universe

Boston Globe

When Drag and Modern Dance Collide

The New York Times

Liz Deschenes

Bomb Magazine

Another Chapter in a Personal Myth That Keeps Growing Darker

The New York Times

Stop and Vogue: ‘Antigone’ Meets The Postmodern

The New York Times

Gillian Wearing: Everyone’s got a secret

The Telegraph

North By South: Q+A With Nari Ward

Art in America

ICA effort raises $25m as museum looks to future

Boston Globe

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Mona Hatoum and the 6ft cheese-grater

The Guardian

Mika Rottenberg by Judith Hudson

Bomb Magazine

From Chaos, a Suspended Beauty

The Boston Globe

Art review: Tara Donovan at San Diego Museum of Contemporary Art

Los Angeles Times

WALID RAAD: Scratching on Things I Could Disavow: A History of Art in the Arab World/Part 1_Volume 1_Chapter 1 (Beirut: 1992-2005)

The Brooklyn Rail

In Defense of the Poor Image

e-flux

Sophie Calle: stalker, stripper, sleeper, spy

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Suspending Frictions: A Conversation with Cornelia Parker

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Nan Goldin on Film

Nov 13, 2015

Cage and Boulez, Full Circle

Nov 12, 2015By Jesse Limbacher

Swoon Needs You

Nov 11, 2015

Eva Respini to Deliver Beckwith Lecture

Oct 27, 2015

Boston-Zurich-Venice-Basel-Boston

Oct 22, 2015By Bryan Barcena, Curatorial Assistant

Faye Driscoll dance, thank you for coming

What We Build Together Is a Kind of Canopy

Oct 2, 2015By Katherine Brewer Ball

Lars Jan, The Institute of Memory (TIMe)

Field Report: Portland’s Time-Based Art Festival

Sep 30, 2015By David Henry, Director of Performing and Media Arts

Fall Arts Preview: ICA Picks for Performance in New York

Sep 29, 2015

Fall Arts Preview: ICA Picks for Visual Art in New York

Sep 25, 2015

Fall Arts Preview: ICA Picks for Visual Art in Boston

Sep 16, 2015

Walid Raad, We decided to let them say “we are convinced” twice. It was more convincing this way, 1982/2004

Thinking Globally

Sep 10, 2015By Eva Respini, Barbara Lee Chief Curator

From Modern to Contemporary

Sep 10, 2015By Jill Medvedow, Ellen Matilda Poss Director

7 Things You Didn’t Know About Peggy Guggenheim

Sep 10, 2015By Kate McBride

ICA Chief Curator Eva Respini Joins Protest Against UAE Travel Ban

Jun 1, 2015

CLOSURE

News

In the news

News

Nan Goldin on Film

Cage and Boulez, Full Circle

Swoon Needs You

Eva Respini to Deliver Beckwith Lecture

Boston-Zurich-Venice-Basel-Boston

What We Build Together Is a Kind of Canopy

Field Report: Portland’s Time-Based Art Festival

Fall Arts Preview: ICA Picks for Performance in New York

Fall Arts Preview: ICA Picks for Visual Art in New York

Fall Arts Preview: ICA Picks for Visual Art in Boston

Thinking Globally

From Modern to Contemporary

7 Things You Didn’t Know About Peggy Guggenheim

ICA Chief Curator Eva Respini Joins Protest Against UAE Travel Ban

Diana Thater

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