Senga Nengudi (Born 1943 in Chicago) is a leading figure of the Black avant-garde communities in Los Angeles and New York. The artist’s background as a dancer and choreographer informs her practice. In the 1970s, she began making her now iconic anthropomorphic nylon mesh sculptures and installations, which she often incorporates into her performances, testing the limits of the nylon material by manipulating, wearing, and stretching these works.
On her use of material, Nengudi explains: “I am working with nylon mesh because it relates to the elasticity of the human body…. From tender, tight beginnings to sagging…. The body can only stand so much push and pull until it gives way, never to resume its original shape.” R.S.V.P. Reverie–“B” Suite is composed from worn pantyhose filled with sand, which the artist knots and hangs from a horizontal bar. The work possesses strong corporeal references, suggesting a body stretching or in slow motion. It also activates the built space, drawing attention to corners that join walls and floors and intimate the close meeting of overlooked yet structurally significant architectural sites.
