Adapted from visual artist and filmmaker Kahlil Joseph’s renowned video art installation shown at the 2019 Venice Biennale, BLKNWS: Terms & Conditions (2025) is an uninterrupted gush of ideas. The sprawling film mixes newly shot footage and extant media, leaping from fantastical images to historical narratives, collapsing boundaries that often separate documentary and fiction. A multidimensional work of vision and ambition, BLKNWS: Terms & Conditions highlights distinct perspectives from artists including Arthur Jafa and Garrett Bradley and offers an alternately riotous and meditative compendium of the Black experience. 

Presented in partnership with the Boston Ujima Project’s Center for Art, Invention & Uncommon Practice (CAIUP).  

Logo with a blue and orange abstract flower on the left and the words BOSTON UJIMA PROJECT in orange, blue, and black text on the right.

Lights, camera… fun! Catch a lineup of kid-friendly short films from the 2025 Boston International Kids Film Festival. Come for one session or double the fun and see both!

11 AM | Shorts for 10 years old and under (50 min runtime)

Afternoon Snack, Jillian “JP” Powell, 5 min
On what seems to be a beautiful, sunny afternoon, Haco’s journey to find the most delectably delicious snack is quickly thwarted by a conniving caterpillar and unending obstacles.

Birds of a Feather, Katie Cobos, 5 min
A talkative parrot attempts to befriend a boy with Tourette’s syndrome.

Dog & Pony Travel the World, Mike Annear, 1 min
Tag along on the playful journey of Dog & Pony, two energetic farm animals who are super curious about the world around them. Eager to explore life beyond their farm, Dog & Pony pack their things, hop on a plane, and travel the globe. Their first destination? London! However the precocious travelers get themselves into all sorts of trouble as the farmer (who misses them very much!) pursues them across the globe. Dog & Pony Travel the World is a non-dialogue, physical humor driven animated short that fosters exploration, world geography, and adventurous spirits. Next stop, everywhere!

Illumination, Charlotte Anthony, 3 min
In the animated short film, Illumination, a burned out worker rediscovers his creativity.

Kid President, Yadid Hirschtritt Licht, 5 min
No more lettuce, no more artichokes… no more broccoli! This is the future that Kid President envisions as he rolls out his most daring policy yet: a ban on all vegetables. In this 2D animated mockumentary, viewers get an inside look as Kid President attempts to strongarm his policy past his rag-tag administration and an alarmed White House press corps. Can Kid President make his vegetable-free dream a reality?

Meevil the Weevil: Breakfast of Champions, Kyle Arneson, 4 min
Meevil the Weevil is a little bug with big dreams of being a stuntman. “Breakfast of Champions” mixes stop motion animation with live action footage where we follow Meevil’s thrilling ride across a 1970s breakfast table on rocket roller skates.

My Turn, Isabelle Tumboimbela, 5 min
My Turn! is a short film about the importance of sisterhood through a wacky, slapstick-filled morning race to the bathroom.

One sunny morning in Jakarta, Indonesia, Beth and her younger sister Liz become fierce rivals in their race to the bathroom. Beth regrets unintentionally hurting her little sister during the scuffle, and they both realize how much they care about each other.

This short film embraces the charm of 2D animation, paying homage to the classic styles of Saturday morning cartoons. At its core, My Turn! is about the childhood experiences of director Isabelle Tumboimbela growing up with her younger sister. This film hopes to provide Southeast Asian representation to the animation medium.

Red Wolf in Time Out, Dave Russo, 4 min
Someone tattled on the Red Wolf for something it didn’t do and now it’s in time out.

Snowbugs, Jenny Schuermann, 3 min
During a snow day, three girls find themselves in a tricky situation after one of them accidentally goes too far during their snowball fight.

The Apricot, Alex Z. Avila, 9 min
The Apricot” tells the story of a 10-year-old boy and his first summer working on the family’s apricot farm. This project is based on real childhood memories that the director holds dear to his heart.

2 PM | Shorts for ages 11–15 (74 min runtime)

Active Imagination, Jordan Fouts and Amanda Garabedian, 6 min
Grab your magnifying glasses and follow Amelia, a young detective want-to-be, as she puts her sleuthing skills to the test after overseeing some suspicious activity while on vacation.

Coole Jungs, Tajo Hurrle, 15 min
In the hottest summer he can remember, eleven-year-old Caspar sweats profusely in his school uniform trousers. The strict headmistress, Mrs. Gardé, stands at the school entrance, meticulously enforcing the dress code. When she announces, “Trousers or skirts! Otherwise, there will be anarchy!” Caspar decides to take her at her word and shows up in a skirt the next morning. A decision that causes quite a stir. Will Caspar be able to withstand the pressure?

Forget-Me-Not, Shayla C. Durbois, 10 min
A group of literary characters refuse to be forgotten and take matters into their own hands.

GET ON WITH IT!, Grace Rodgers, 11 min
Please note, this short film explores themes of death which may be sensitive for some viewers.
‘Get On With It’ follows Frankie, an eight year old girl with a very active imagination.

In this film, we follow Frankie, as she discovers for the first time in a game of ‘Death Stuck In The Mud’ that everyone dies in real life. As humans, we’re constantly working through that certainty, and in this film, we get to cut straight to the heart of it, through a child’s perspective. We stay with Frankie after she finds out, at her Grandad’s 73rd birthday party, and become witness to her fear, fuelled by erratic imaginings on all the ways people can possibly die…

Introducing Mimi, Emai Lai, 14 min
A young Chinese American woman meets her tutor at the library to relearn a language she once knew as a child. A playful and awkward lesson ensues, as they use a messy mix of Mandarin and English to translate book titles and invent stories about other library patrons. Introducing Mimi explores the humor and frustration of losing your voice and finding it again.

Untouchable, Kendra Anna Sherill, 17 min
Inspired by writer/actress Aimee Paxton’s childhood, untouchable tells a story of navigating limitations, bullying, and trying to be a “good” person. From her picture-perfect 2000s childhood room, Aimee recalls stories from elementary, middle, and high school. Being small had perks when she was young but as she ages through adolescence, her body starts to deteriorate -along with her social status. She takes us through crushes and being crushed, peer (and teacher!) bullies, youth group confusion and guilt, and trying to be a cheerleader. Throw in some rheumatoid arthritis, a mysterious hip diagnosis, and a crutch and you have the perfect recipe for an awkward childhood!

Logo for the 13th Annual Boston International Kids Film Festival, featuring a movie clapperboard and bold yellow and black text.

“A tour-de-force” —The New York Times

“What is life? Is it the thing that happens between birth and when you die?” These questions animate Leslie Cuyjet’s wickedly funny and deeply moving For All Your Life, a performance and social experiment that investigates the value of Black life and death. Encapsulating numerous characters through film and live performance, Cuyjet explores and satirizes the labyrinthine world of the life insurance business, its darker links to the transatlantic slave trade, and how monetary value is affixed to human life. Are you prepared for what comes next? For All Your Life may have the answers.

Based in Brooklyn, NY, Leslie Cuyjet is a performer and choreographer who aims to conjure life-long questions of identity; confuse and disrupt traditional narratives; and demonstrate the angsty, explosive, sensitive, pioneering excellence of the Black woman. Hailed as “a potent choreographic force” by The New York Times, Cuyjet is a 2025 Guggenheim Fellow and received New York Dance and Performance “Bessie” Awards in 2019 and 2022.

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Please note: this performance includes strobe lights.

Leslie Cuyjet: For All Your Life is funded in part by the New England States Touring program of the New England Foundation for the arts, made possible with funding from the National Endowment for the Arts Regional Touring Program and the six New England state arts agencies.

NEFA logo

Filmmaker and visual artist Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) curates a selection of short films by Native North American contemporary artists relating to the themes of An Indigenous Present, including abstraction, transculturalism, and Indigenous creative practice.

Runtime: 48 minutes (film will play on a loop a total of 5 times)

“These are fleeting works, grounded in the land and in the ways these artists move through it. Through footsteps and memory, through the sounds of voices both present and past, through family and friendship, their gestures trace a continuity between what has been and what is yet to come. The impressions they leave recall the depressions of paths once walked in another life, now retraced toward another future. Each work is a site of remembrance and becoming—one that acknowledges how the act of moving through a place is also an act of shaping it. Together, these films carve their own marks on the landscape, blurring the boundaries of when and where they belong, and revealing the porous line between presence and absence, between what endures and what drifts away.”

—Sky Hopinka

Program

Fox Maxy, Gathering Dust, 2023

Gathering Dust creates connections between water, intergenerational care, and encroaching urban development. Like the film’s layered visuals, numerous sources converge to create the film’s soundscape.

The film contemplates lessons exchanged between elders and youth, and the differences between generations, friction vs. flow, and the layers underneath Los Angeles.

Fox Maxy is a film director based in San Diego. She is Payómkawichum and Iipay Kumeyaay, from the Mesa Grande Band of Mission Indians. Her work explores themes of kinship, emotional well-being, nightlife, fashion, and environmental advocacy—using cinema as a lens to illuminate both intimate and collective experiences of contemporary life.

Tyson Houseman, opwêyakatâmêw, 2024

opwêyakatâmêw is a single-channel video/experimental short created from footage gathered near Gregg Lake, Alberta, Canada. Three nêhiyaw brothers take a walk on their traditional territory and through a forest they explored as children. They find an object eaten and gnawed by a beaver and imbued with animate energy. A voice over of their grandfather offers a teaching in their language, nêhiyawewin.

Tyson Houseman is a nêhiyaw video artist, performer, and filmmaker from Paul First Nation. Tyson’s practice focuses on aspects of nêhiyaw ideologies and teachings—speaking to land-based notions of non-linear time and the interwoven relations between humans and their ecologies.

darylina powderface, how it used to be, 2025

This short experimental film centers on blood memory—how it is carried and ingrained in the land, the water, and the body itself. Through song, story, and movement, darylina awakens the past, present, and future as they coexist, weaving new and archival visuals with layered sound into a living remembrance.

darylina powderface is a multidisciplinary artist and storyteller from the Stoney Nakoda and Siksika Nation. Her work spans theater, film, photography, and movement, offering an influential exploration of indigenous identity and perspective. darylina investigates spatial and temporal realities through a Blackfoot and Nakoda lens, using her art to embody memory, knowledge, and lived experience.

Tyson Houseman, Collapsing Wave Function, 2025

Instructions for time travel. Created from footage gathered at various artist residencies in the northeastern part of North America (Vermont Studio Center, VT; MacDowell, NH; Wassaic Project, NY). Collapsing Wave Function is a reflection on alternative forms of plant consciousness, non-linear depictions of land, and plant dreaming as interpreted through perpetual video feedback loops.

Svetlana Romanova, Hinkelten, 2023

Formulated in vignettes, hinkelten (a cold autumn night in Eveny language) is carefully woven out of renderings of contemporaneity. Following the narratives around the idea of love (romantic, platonic, intimate, and maternal), this film contemplates the forms of its visualization.

Archival footage by Alexander Vasiliev.

Music by MaksNemo.

Svetlana Romanova (Sakha/Even) is an artist and filmmaker born in Yakutsk, the capital city of the Sakha Republic, Russia, located south of the Arctic Circle. Her practice centers on the importance of Indigenous visual language, particularly in the Arctic regions, and gravitates towards critical self-historization.

About the Curator

Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) was born and raised in Ferndale, Washington, and spent several years in Palm Springs and Riverside, CA; Portland, OR; and Milwaukee, WI. In Portland, he studied and taught Chinuk Wawa, a language indigenous to the Lower Columbia River Basin. His video, photo, and text work centers around personal positions of Indigenous homeland and landscape—designs of language as containers of culture expressed through personal and non-fictional forms of media.

In the fall of 2022, Hopinka received a MacArthur Fellowship for his work as a visual artist and filmmaker. He is currently an Assistant Professor of Film at Harvard University.

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

An Indigenous Present is organized by Jeffrey Gibson and Jenelle Porter, guest curators, with Erika Umali, Curator of Collections, and Max Gruber, Curatorial Assistant.

This exhibition is supported in part by Mathieu O. Gaulin, the Leonard and Ruth Horwich Family Foundation, Peggy J. Koenig, Kim Sinatra, the Fotene Demoulas Fund for Curatorial Research and Publications, and an anonymous donor.

With warmest thanks, we gratefully acknowledge the generosity of the ICA’s Avant Guardian Society in making this exhibition possible.

Calling all teens! Join us, Fast Forward teens, for a free night of food, film, and family stories. We will screen The Seltzer Factory by local director and filmmaker, Paloma Valenzuela, and host a Q&A with her right after. We invite you to bring stories from your own families or communities to share through an interactive activity we will lead. Free food and beverages too!

More about The Seltzer Factory in Paloma’s words:

The film is a short documentary (hybrid in a way with narrative parts as well) that traces back a family story from my mother’s side: a story that set off a series of events that led my great grandmother to Cleveland ultimately saving her life, as just years later the rest of her family were sent off and killed in concentration camps in the Holocaust. I want to tell this story because I think this is a powerful story that many families can relate with — in terms of looking back, tracing back and finding those moments that led us to even still being here today. There is no doubt in my mind that if my Great Grandmother, Jewish-Hungarian woman from the town of Marghita wasn’t thrust into a move to the United States before the war took millions of lives – we would not be here today.

As a Jewish woman of color, and one of only 2 in my family on my mother’s side, I
also want to tell the story from my perspective- giving myself permission to
tell this story, even if I can feel sometimes “othered” as a Jewish
woman, I am a proud Jewish-American who is also part
Afro-Caribbean/Dominican/Latina and this is my story too.

Drop in for a looping screening of two short films presented in conjunction with Believers: Artists and the Shakers. The Quiet in the Land, produced by the ICA in 1998, shares artists’ insights into their experiences at an artist residency in the Sabbathday Lake Shaker community. Alison Halter and Maria Molteni’s Sacred Sheets (2023) was created in a transplanted Shaker house on the grounds of the Fruitlands Museum in Harvard, Massachusetts, and documents the artists’ reimaginings of certain 19th-century Shaker drawings.

Runtime: 48 minutes

The Quiet in the Land

1998, 29:33 min, color, sound

Created in conjunction with a 1998 exhibition at the ICA, The Quiet in the Land documents an unorthodox artist residency while also painting a picture of the Christian sect the Shakers, known for practices of celibacy, communal living, pacifism, shared property, and gender and racial equality, along with simple living, architecture, music, and furniture design.

In 1996, curator France Morin invited ten artists to live, work, and worship in the only remaining active Shaker community, located in Sabbathday Lake, Maine. In agreeing to host the artists, the Shakers insisted that the artists participate in the village’s daily activities.

The residency yielded a dynamic body of works featured in the exhibition The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers, curated by Morin and presented at the ICA in 1998. According to Morin, the works gathered in The Quiet in the Land aimed “to explore the complex relationship between artistic practice and everyday life, as well as to define the spiritual impetus of the creative act.”

The ICA’s current exhibition, Believers: Artists and the Shakers, reunites a core group of artworks from that exhibition alongside more recent works to consider how contemporary artists derive inspiration from the utopian community’s vital experience as “ordinary people attempting to live an extraordinary life.”

Sacred Sheets

Directed by Allison Halter and Maria Molteni

Cinematography by Gabe Elder

2023, 17:42 min, color, sound

Sacred Sheets, titled after Gift Drawings made by Shaker sisters during their 19th century “Era of Manifestations” (aka “Mother’s Work”), translates the imagery and calligraphic spirit writing of these inspired works into a colorful cut-paper floor drawing. Shifting light marks a day’s passage and frames a ritualized space clearing, evoking and reawakening the spirit of women’s creative labor. Performances by the artists revisit a fruitful historic period for femme inspiration and agency through intimate observations of Shaker ephemera and the natural world.

Allison Halter is a conceptual artist and witch. Using performance, video, sound, and photography, Halter explores themes of physical and psychic accumulation and calls into question audience expectations. Repetitive actions hint at mysterious prior events. The viewer must extrapolate the significance of these proliferating gestures, which take on a deeper emotional charge as they slowly and inexorably pile up.

Maria Molteni is a Massachusetts-based interdisciplinary artist, educator, mystic, and independent Shaker researcher since their first visit to the living Shakers in 2007. They descend from competitive square dancers, quilters and beekeepers who farmed Tennessee land near South Union Shaker Village. With formal backgrounds in painting, publication, dance, and athletics, their practice blooms to incorporate research, embodied spirituality and collaboration with the living and the dead.  

Molteni has worked closely with the archives of most existing historic Shaker villages- particularly Canterbury (NH), Hancock (MA), Harvard and Shirley Shaker Villages, and South Union (KY), including experiential research on the grounds of Sabbathday Lake (Maine), Mount Lebanon (NY), and Watervliet (NY). In addition to short essays, Molteni has offered Shaker-related lectures and programs through the American Folk Art Museum (NY), Viktor Wynd Museum/Last Tuesday Society (London), Shannon Taggart’s Lily Dale Symposium (NY), Fruitlands Museum (MA), Nashville Film Festival (TN) to name a few. Until its recent sunset, Molteni served on the board of the Golden Dome School for mystic artists. 

For more info related to the film and Molteni’s Shaker research: Unseen Hours: Space Clearing for Spirit Work, the Sacred Sheets film’s accompanying publication, is sold in the ICA Store, as are copies of Boston Art Review’s Fall issue Make Believe which includes an essay co-written by Molteni and Laura Campagna. Read about Shaker and Spiritualist influence found in “Believers” and other recent area exhibitions in Holding a Mirror to Heaven. This June Molteni’s installation, “All Around the Room” will open at Hancock Shaker Village.

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Assembly follows visionary artist Rashaad Newsome as he transforms a historic military facility into a Black queer utopia, blending art, AI, and performance. Through stunning visuals and deeply personal performances, Assembly captures the transformative power of creativity as a fractured community comes together to find strength, solidarity, and liberation. 

Runtime: 99 minutes 

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Following two sold-out screenings, Eno returns to the ICA with three unique presentations of Gary Hustwit’s groundbreaking, Oscar-shortlisted documentary. Working with generative software, Hustwit created a documentary process that produces infinite variations—each with its own archival material, interviews, backstage footage, oblique strategies, and musical numbers—befitting its always experimental subject, Brian Eno. The visionary musician and artist is known for producing music for David Bowie, U2, and Talking Heads, among many others; playing with the glam-rock band Roxy Music; pioneering the genre of ambient music; and releasing more than 40 solo and collaboration albums. The New York Times describes Eno as both “unlike any other portrait of a musician” and “marvelously watchable.”

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

“You do not go where your mother is not.”

Taking its title from the Saidiya Hartman text Lose your mother: A journey along the Atlantic Slave Route and inspired by a print by the graphic designer Nontsikelelo Mutiti entitled Kusina Mai/ Kusina Mai Futi, a Chivanhu saying warning against being in a foreign land without the necessary support of people that would protect and encourage you, BlackStar Projects presents an evening of short films exploring ancestral connections through time and space. These dynamic filmmakers ask, who are we if not amalgams of the people and the experiences that built us? Food, music, technology, and more work to define our culture, and our culture is what we leave behind. Featuring experimental films by Charlotte Brathwaite, Curtis Essel, Jenn Nkiru, Joseph Douglas Elmhirst, and Luis Arnías.

Post-screening discussion with filmmaker Luis Arnías and Maori Karmael Holmes, Chief Executive and Artistic Officer of BlackStar.

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.

Sponsored by Wagner Foundation

Wagner Foundation logo
Text reading BLACKSTAR in bold, black capital letters on a transparent background, reminiscent of the powerful themes found in "Lose Your Mother," recently featured at ICA Boston.

Pioneering electronic musician/avant garde artist/spiritual explorer/gender revolutionary/cult leader(?) Genesis P-Orridge has been featured in numerous films and videos, but never the full story…until now. In this “authorized” but extremely raw and personal documentary, award-winning director David Charles Rodrigues (Gay Chorus Deep South) documents the final year of P-Orridge’s existence as they grapple with mortality in the final years of their life. Featuring William Burroughs, Brion Gysin, Timothy Leary, Alice Genesse (PTV), David J (Bauhaus/Love and Rockets), Nepalese monks, African Witch doctors and a special cameo by her Majesty, Queen Elizabeth, plus never before seen archival treasures, performances from COUM Transmissions, Throbbing Gristle, and Psychic TV. Very few artists lived their art, but Genesis died three times for it.

Presented in partnership with Wicked Queer, Boston’s LGBTQ+ Film Festival.

Please note: gallery admission is not included with ticket.

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.