Photo by Ian Douglas
“One of this country’s most talented choreographers.” –The New York Times
For more than 20 years, Reggie Wilson and his Fist and Heel Performance Group have explored the spiritual and mundane traditions of Africa and its diaspora through contemporary dance. Expanding on his previous research of African American spiritual worship and movement, Wilson’s newest work, POWER, considers how the Black Shaker community might have lived and worshipped. POWER takes inspiration from notable Shaker women leaders like Mother Ann Lee, founder of the Shaker community, and Mother Rebecca Cox Jackson, founder of the first African-American Shaker community in Philadelphia. Featuring a thrilling cast of dancers and musicians, POWER examines and enlivens Shaker values, contributions, practices, and history through a postmodern American lens.
ICA admission is included with all ICA performance tickets. Note that timed tickets are required to experience Yayoi Kusama: LOVE IS CALLING. A limited number will be available for performance ticket-holders, first come, first served, in person only.
The ICA is committed to making its events accessible to all visitors. See our Accessibility page for a list of regularly available resources, including assistive-listening devices, accessible seating, and large-print programs. Need more information or a different resource, such as ASL or captioning? Contact email@example.com with questions and requests. (Two weeks lead time recommended.)
About Reggie Wilson/Fist and Heel Performance Group
Reggie Wilson/Fist and Heel Performance Group is a Brooklyn-based dance company whose mission is to create, research, develop, and present new performance work that investigates the intersections of culture and movement practices. The Company’s body of works draws from the spiritual and mundane traditions of Africa and its Diaspora; Fist and Heel believes in the potential of the body as a valid means for knowing.
The choreography of Reggie Wilson displays rigor, structure and craft in a postmodern dance vernacular. His choreography expands the limitations of textbook definitions of “black dance” and range from strict dance pieces to full, all-inclusive performance art pieces with arranged vocalizations, text, and inclusion of other media. Fist and Heel’s performance works strive for authenticity and respect of Reggie Wilson’s creative vision.
The Company has received support from major foundations and corporations and has performed in the United States and abroad at notable venues including Dance Theater Workshop, New York Live Arts, Brooklyn Academy of Music, REDCAT, John Michael Kohler Arts Center, Yerba Buena Center for the Arts, Jacob’s Pillow Dance Festival, and Festival Kaay Fecc in Senegal.
The presentation of Reggie Wilson/Fist and Heel Performance Group: POWERwas made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.
This performance is supported, in part, by the David Henry Fund for Performance.
First Republic Bank is proud to sponsor the 2019–2020 ICA Live Performance Season.
Additional support is generously provided by Edward Berman and Kathleen McDonough and Robert Davoli and Eileen McDonagh.
Access for Boston’s Dance Community is supported by the Pratt-Hall Fund.