Simone Leigh: Façade, 2022. Thatch, steel, and wood, dimensions variable. Satellite, 2022. Bronze, 24 feet × 10 feet × 7 feet 7 inches (7.3 × 3 × 2.3 m) (overall). Courtesy the artist and Matthew Marks Gallery. Photo by Timothy Schenck. © Simone Leigh
For the 59th International Art Exhibition of La Biennale di Venezia, the United States Pavilion presents Simone Leigh: Sovereignty, commissioned by the Institute of Contemporary Art/Boston (ICA) in partnership with the U.S. Department of State’s Bureau of Educational and Cultural Affairs.
For the U.S. Pavilion, Simone Leigh has created a new series of figurative sculptures in bronze and ceramic that furthers her commitment to highlighting the labor and resilience of Black women across global histories. Drawing upon artistic traditions from within Africa and the African diaspora, Leigh uses a strategy that she terms “the creolization of form,” merging disparate cultural languages linked through histories of colonization. With these works, Leigh weaves together references to 19th-century West African art, the material culture of early Black Americans, and the colonial history of international expositions.
See more at SimoneLeighVenice2022.org.