Tickets will be available September 10 for ICA Members and September 17 for the general public.

Artists Caroline Monnet and Sky Hopinka defy boundaries and blur genres by adopting film, fashion, poetry, sculpture, and more in their cross-disciplinary artistic practices. These prolific, visionary creators will be joined by An Indigenous Present exhibition co-curator Jennelle Porter, for an engaging conversation exploring land, language, and the advantages of using abstraction as a tool within their work. This program accompanies the ICA exhibition An Indigenous Present, co-organized by Porter and artist Jeffrey Gibson.

Make the most of your ICA visit! Explore the galleries and visit the ICA’s featured exhibition: An Indigenous Present. Enjoy a drink and light bite in the waterfront Wine + Coffee Bar. Shop the ICA store for your new art-related swag.

About the artists

Caroline Monnet is a multidisciplinary artist of Anishinaabe and French ancestry, originally from the Outaouais region, who lives and works in Mooniyang/Montréal. Her work has been shown in solo exhibitions in Canada, the United States, and Europe. The artist has also exhibited at the Whitney Biennial (New York, USA), Toronto Art Biennial (Canada), KØS Museum (Køge, Denmark), Musée d’art contemporain (Montréal, Canada), and National Gallery of Canada (Ottawa, Canada), among others. Her work is included in numerous collections in North America and at the Maison de l’UNESCO in Paris. With bachelor’s degrees in sociology and communications from the University of Ottawa and the University of Granada (Spain), Monnet received the Prix Pierre-Ayot and was a finalist for the Sobey Arts Award in 2020. She was also the recipient of the Merata Mita Fellowship from the Sundance Institute and was named Compagne des arts et des lettres du Québec in 2023.

Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) was born and raised in Ferndale, Washington and spent several years in Palm Springs and Riverside, CA; Portland, OR; and Milwaukee, WI. In Portland, he studied and taught Chinuk Wawa, a language indigenous to the Lower Columbia River Basin. His video, photo, and text work centers around personal positions of Indigenous homeland and landscape–designs of language as containers of culture expressed through personal and non-fictional forms of media.

In the fall of 2022, Hopinka received a MacArthur Fellowship for his work as a visual artist and filmmaker. He is currently an Assistant Professor of Film at Harvard University.

Jenelle Porter is a curator and writer. She is the curator, with Jeffrey Gibson, of An Indigenous Present, ICA/Boston (October 2025). Recent exhibitions include Barbara T. Smith: Proof, ICA LA (2023), Kay Sekimachi: Geometries, Berkeley Art Museum (2021), and Less Is a Bore: Maximalist Art & Design, ICA/Boston (2019). She edited An Indigenous Present with Jeffrey Gibson (2023), a Viola Frey monograph (2024), and many other publications. She has held curatorial positions at the ICA/Boston; Institute of Contemporary Art, Philadelphia; Artists Space, New York; Walker Art Center; and Whitney Museum of American Art

Accessibility

  • Accessible seating is available first-come first-served and may be selected upon theater entry. Please contact our Visitor Services team at visitorservices@icaboston.org or 617-478-3100 for more information.
  • Assistive listening devices are available for all theater programs at the theater entrance.
  • A link to live captioning will be shared by the day of the event and will be available in the theater.
  • ASL interpretation is available by advance request; please contact our Visitors Services team at 617-478-3100 or visitorservices@icaboston.org to make a request.

Are there other access accommodations that would be useful to help you fully participate in this program? Let us know at accessibility@icaboston.org or learn more about Accessibility at the ICA at icaboston.org/accessibility.


An Indigenous Present is organized by Jeffrey Gibson and Jenelle Porter, guest curators, with Erika Umali, Curator of Collections, and Max Gruber, Curatorial Assistant.

With warmest thanks, we gratefully acknowledge the generosity of the ICA’s Avant Guardian Society in making this exhibition possible.  

This exhibition is supported in part by Peggy J. Koenig, Barbara H. Lloyd, and Kim Sinatra.