Carolina Caycedo, Ósun (detail), 2018. Hand-dyed artisanal fishing net, steel chain, steel pot lid, mirror, enamel, spray paint, hoop earrings, paracord, string, and brass handles, 120 x 24 x 24 inches (304.8 x 61 x 61 cm). Courtesy the artist and Instituto de Visión, Bogotá, Columbia. © Carolina Caycedo
The interdisciplinary practice of Los Angeles–based artist Carolina Caycedo (b. 1978, London) is grounded in vital questions related to asymmetrical power relations, dispossession, extraction, and environmental justice. Since 2012, Caycedo’s ongoing project Be Dammed has examined the wide-reaching impacts of dams built along waterways, particularly those in Latin American countries such as Brazil or Colombia (where she was raised and frequently returns). At the ICA, Caycedo will present the culmination of her Cosmotarrayas, a series of hanging sculptures assembled with handmade fishing nets and other objects collected during field research in different riverine communities affected by the privatization of waterways. These objects demonstrate the meaningful connectivity and exchange at the heart of Caycedo’s practice, as many of the nets and other objects were entrusted to her by individuals no longer able to use them. At the same time, they also represent the dispossession of these individuals and their continued resistance to corporations and governments seeking to control the flow of water and thus their way of life.